Two Lanes [Vague Imaginaires Remix]
(Digital Only) de l’album Rain & Cymbals
par Material Things / Pike
Released 24th november 2025 as a digital only bonus
Released 24th november 2025 as a digital only bonus
Released on the 5th august 2025
Released 4th October 2024
Released the 1st March 2024
Released the 20th octobrer 2023
“Anchored in the real world to better escape it.” Vague Imaginaires collaborates with marginalised individuals;
Ransom Note
https://www.theransomnote.com/music/premiere-vague-imaginaires-les-sueurs-de-lorage-versatile-records/
Like some film directors, Vague Imaginaires (“Imaginary Wave”) will sometimes collaborate with non-professionals: homeless, psychiatric patients, social workers, refugees… the left-behinds. The melancholy within his music is “that of those who couldn’t leave for the stars or the islands, the great tragedy of the forgotten ones.”
His music is characterized by entanglement: double melodies interweaving, and synths fusing with non-musical sounds: “Crickets in a palm grove, rain on a barn, freshly cut pieces of wood clicking, spring water running on froth, birds in the meadow, coal clattering on a fire, thunder on the lake, soft waves on the beach. These enchanting sounds that make places what they are.”
Anchored in the real world to better escape it, his music comforts and reconciles us with it, transforming reality into “a new, voluptuous world, a graviton-less exoplanet, like flying in a dream. »
Comme certains réalisateurs de cinéma, Vague Imaginaires collabore à l’occasion avec des non-professionnels : sans-abris, patients d’HP, travailleurs sociaux, ouvriers, réfugiés… le ban de la société. La mélancolie qui habite sa musique « est celle de ceux qui n’ont pas pu partir pour les étoiles ou les îles, c’est la grande tragédie des oubliés. »
Ses compositions se caractérisent par les enchevêtrements : ceux des doubles mélodies, et ceux des synthés avec des sons non-musicaux : « Les criquets d’une palmeraie, la pluie sur la grange, l’entrechoc de bouts de bois fraîchement coupés – un peu de douceur après beaucoup de tronçonneuses – de l’eau de source qui coule sur la mousse, les oiseaux de la plaine, les cliquetis du charbon sur le feu, le tonnerre sur le lac, les vagues douces de la plage. Ces sons enchanteurs qui font de chaque lieu ce qu’il est. »
En s’ancrant dans le vrai pour mieux s’en échapper, il console et nous réconcilie avec la réalité, que sa musique transforme en « un monde nouveau, une exoplanète sans gravitons, un monde de volupté, comme quand on rêve qu’on vole. »
paru le 20 octobre 2023
artwork by Guillaude De Ubéda
Digital only bonus released 26 may 2023
paru le 28 janvier 2022
Released the 6th August 2021
paru le 30 juin 2021
En souvenir d’un séjour à l’hôpital
Out : 24 april 2020
A track inspired by windsurfing lakes with sounds from catamaran in the Lac of Serre-Ponçon…
released February 19, 2018
Denis Morin’s newest offering for French label Là-haut Dans L’Océan is a lush exploration of birds chirping in echoing circles, watery samples, and shimmering pads. Cold Ubiquity plays with the tones and pitches of a large variety of bird calls. The second half of the record is more synth-based, with pixelated melodies fluttering throughout. Some of the tracks were recorded in a 1400m altitude environment, and the whole record was made to be listened at that altitude “while snow melts in a little stream on the path.”
Aurora Mitchell – Bandcamp Daily
The aesthetic part and pathos inherent to the biographical aspect are present in the music below, realized during a workshop on the autobiography animated by Alessandro Bosetti. Follow the link for the description of the laboratory master animating this workshop about the course of this traineeship, which was a real “brain shaker” for me!
Entitled “Les nom du père” meaning “The names of the father” in reference to the Lacan conference of the same name, this creation in the autobiographical narrative genre, explores the laughter and tears through the aesthetic techno language which informs the listener of the intensities and notably through the measured and measured use of kicks that echo the speech, exposing a momentary, and certainly fictional point of view, if not false (after verification). a glance at a moment of the ellipse on one of its adverse parts forming the cone :
A word that pleased about, from of a poet and producer at mighty France Culture radio :
Enfin de l’électro lacanienne !
Les Non Dupent Èrent de Denis Morin par Ellipses come from coneshttps://t.co/OlxrCyCW91— David Christoffel (@dcdb) 26 octobre 2016
Later, it was followed by a musical live performance, performed at “Le Vog” Fontaine’s art center, as well as a new piece borrowing both the lyrics and the title of the Lacan conference in question, this time spelled “les non-dupent èrent” which could be traduced by “the non-fooled wander”. Because precisely as you can see spelling fluctuating and while fluctuating slips along the ellipse of the cone and spirals the meaning (and it’s quite happy). A piece of spoken house in preparation will follow this work, as well as musical tracks made of recorded memories.
Tu rêve means you dream and repeat this word until change is meaning on a solid techno track. Brut without concession this title echoes the experience of rave or free party, universe that Hibou the author of this compilation and boss of the bar the mezzanine 112 known has its beginnings. It also echoes the renewed invitations of this exceptional boss in this bar with a special atmosphere.